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人是世上万物之灵,是古今中外一切美术作品的永恒主题。无论是直接以人为表现对象,还是以自然万物为描绘题材,终归都是画家人格、精神观念、心迹于纸面或画布上的物化体现,画的还是画家自己,画的还是人。 近现代的中国画人物画坛出大师极是不易,这一是因为人生存于尘世之中吃五谷熏烟火难脱俗骨,以人为题材的作品难超然旷达,这大约与古老的东方哲学有关;二是人物画对于造型的技术性要求往往使画家陷入“形而下”的泥淖;三是中国传统
Man is the Spirit of all things in the world and the eternal theme of all the art works at all times and in all countries. Whether it is the direct representation of human beings or the portrayal of natural things, they are, after all, the embodiment of the painter’s personality, spiritual conception, and mind on the surface of paper or canvas, the painting or the painter himself, or the painting. Modern Chinese painting figure out of the great master is very easy, this is because people live in the earth to eat grain and fire fatigued bones, people-oriented works difficult to transcend Kuangran Kuangda, which is about the ancient Eastern philosophy; the second is The technical requirements of figure painting for modeling tend to make painters fall into the “metaphysics” mud; third is the Chinese tradition