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中国电影诞生在上海。在20年代之前,只有一些舞台纪录短片和小品式的滑稽戏如《滑稽大王游华记》之类。20～30年代之间,电影才由杂耍发展为艺术。最早到电影这片荒地来耕耘的是郑正秋和张石川,他们两人的主张截然不同,郑正秋是“载道”派的代表,张石川则认为电影的功能应以“娱乐”为主。“娱乐”派实际上是“商业”派,他们的原则就是赚钱,如“载道”派的影片也能带来高额票房收入,他们也可以跟“载
Chinese movie was born in Shanghai. Before the 1920s, only a few stage short films and short-type comic books such as “Funny Kings Travels” and the like. Between the 1920s and 1930s, the film was developed from juggling into art. Zheng Zhengqiu and Zhang Shih-chuan, the earliest artists who cultivated this piece of wasteland in the film, are completely different. Zheng Zhengqiu is the representative of “carrying school” and Zhang Shih-chuan believes that the function of the movie should be “entertainment.” “Entertainment” is actually “business” school, their principle is to make money, such as “channel” movies can also bring a lot of box office revenue, they can also "