中国电影的潮起潮落和中国的政治、社会、经济、文化的变化发展有着紧密的联系。最为直接的就是由此引发的中国观众审美心理变化,及以此为基础的整个电影消费语境的转变。新时期的中国电影观众是在两个大的背景中发展变化着的:其一,是变化了的社会政治经济背景,这包括对曾经过于激烈的文化转型的体验与反思,以及在这个基础上的政治、经济及伴随而来的文化观念的变化。其二,是实行改革开放政策后,西方高度的物质文明和纷繁的文化现象对民族心理和中国文化的强 The ups and downs of Chinese movies are closely linked with the changes and developments in China’s political, social, economic and cultural fields. The most direct is the resulting change in the aesthetic psychology of Chinese audiences and the context of the entire movie consumption. The Chinese film audience in the new era has undergone changes in two broad contexts. First, it has changed the socio-political and economic background. This includes the experience and reflection on the once overly intense cultural transformation and on this basis Political, economic and accompanying changes in cultural values. Second, after the implementation of the policy of reform and opening up, the high degree of material civilization and numerous cultural phenomena in the West has contributed to the national psychology and Chinese culture