在战国末期的文坛上,宋玉的创作无论在题材内容还是艺术形式上,都已达到了崭新的高度。尤其是其一系列的赋体作品,较之《诗》、《骚》展现出了不同的艺术旨趣,取得了卓越的成就。这些作品不仅给楚汉之交的文学发展注入了新的活力,更全面启发了有汉以来文人的创作。汉代以来的诸多作家皆有意无意对其赋作大加模仿,并逐步开拓出气势恢宏气象万千的散体大赋,最终使得汉赋成为汉代文学的杰出代表,与楚辞、六朝骈文、唐诗、宋词、元曲、明清小说比肩并列,共同造就了中国文学史的辉煌。 In the literary arena of the end of the Warring States Period, Song Yu’s creation has reached a completely new level both in the subject content and the art form. In particular, his series of works on the genre have shown different artistic aims and achievements than the poetry and the Sao. These works have not only infused new vitality into the development of literature at the turn of the Chu and Han Dynasties, but also inspired the literati from the Han Dynasty. Many writers since the Han Dynasty intentionally or unintentionally copied and imitated them, and gradually developed a magnificent and magnificent bulk of fu, eventually making Han Fu become the outstanding representative of the Han Dynasty literature, and the North Song Dynasty, Tang poetry, Tang Poetry , Yuan Qu, Ming and Qing novels side by side, jointly created the glory of Chinese literary history.