“从一到无穷大”——借一部科学著作的书名来形容2009上海国际当代戏剧季中的肢体剧演出,显得格外贴切。若把“一”比作舞台,“无穷大”比作一切可能,那么舞台的假定性就是创造舞台上一切可能——“从一到无穷大”的魔术。《花木兰》和《漂流红楼》,就 “From one to infinity ” - by the title of a scientific book to describe the 2009 Shanghai International Contemporary Drama season in the physical drama, it is particularly appropriate. If we compare “one” to “stage” and “infinity” to anything, then the assumption of the stage is to create all the magic on stage - from “one to infinity.” “Mulan” and “drifting Red House”, on