徐福厚(以下称徐):老师,像您预料的那样,离开您几年来我的画没发生根本变化,这主要是说作品关注的基本立足点和精神内核是延续的,不知您认为像这样近乎固执地热衷且向往一种古典的人文精神,作为艺术创作,在当代是否还具有某种意义?尚扬(以下称尚):我们之间经常提起的古典精神与艺术中所指的古典风格是不完全相同的。古典的人文精神,可以理解为人类亘古至今在与命运搏斗过程中体验到的那种悲壮的崇高感和贯通在 Xu Fuhou (hereafter Xu): As you expected, my teacher did not make any radical changes in my painting after leaving you for a few years. This basically means that the fundamental foothold and inner core of my work are continuing. I wonder if you think so Nearly stubbornly keen and yearning for a classical humanistic spirit, as an artistic creation, does it have some significance in the present age? Shang Yang (Classic Scenario): The classical spirit and the classical style Is not exactly the same. The classical humanistic spirit can be understood as the kind of tragic loftiness and penetration that mankind has experienced so far in the struggle against fate