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清乾隆炉均釉开光抽角双底线长方盆此盆紫砂胎,紫泥泥料细腻,直脚笔杆洞,泥料和底部特征属于清中以前的作品。盆的做工相当复杂,不大的盆上运用了几乎所有紫砂素盆造型变化工艺:开光、抽角、双底线、飘口。这与和清三代人们追求的宫廷繁复风格相一致。盆做工精致,线条流畅,直线条上下呼应。盆外表面上炉均釉,富丽堂皇,光彩照人。炉均釉肥厚、自然流淌、釉色泛蓝,符合乾隆时期炉均釉的特征。炉均釉是清雍正年间创新烧造的一种低温釉,在
Qing Emperor Qianlong furnace glaze open angle double bottom line rectangular basin This basin purple tire, purple clay mud exquisite, straight foot pen hole, mud and bottom features belong to the previous works of Qing Dynasty. Potted work is quite complex, not the basin used almost all of the purple sand basin shape change process: light, angle, double bottom line, floating mouth. This is consistent with the palace complex style pursued by the three generations of Qing Dynasty. Basin exquisite workmanship, smooth lines, echoes from top to bottom. Oven on the outer surface of the pot are glazed, magnificent, brilliant. Furnace glaze hypertrophy, natural flow, glaze pan-blue, in line with the characteristics of furnace glaze Qianlong period. Furnace glaze is a low-temperature glaze created during the Yongzheng reign