插屏和座屏,是中国古代传统的室内装饰用品,属于家具陈设类器物。它由古代居室中常见的屏风发展而来,尤其是受到枕屏、砚屏等小型专用屏风影响,在明清时期盛极一时,为宫廷贵族、官宦士绅甚至普遍百姓广泛使用,摆放于厅堂室内或几案桌张之上,成为装饰室内环境,美化人们生活的艺术品及实用器。清朝入关后,承袭前朝旧制,开始在宫廷中使用各式屏风,传统的插屏、座屏也得到应用。在一些传世的清宫绘画上,明确绘有康熙、雍正、乾隆诸帝使用插屏或座屏的图像。清朝中期,社会步入太平盛世阶段,宫廷贵族崇尚文化,收藏古董,制作佳器蔚然成风。清 Insert screen and screen, is the ancient Chinese traditional interior decoration supplies, belong to the furniture furnishings category objects. It is a common development of the ancient living room from the screen, especially by the pillow screen, ink screen and other small dedicated screen, in the Ming and Qing Dynasties era, for the court aristocracy, government officials gentry and even the common people widely used, placed in the hall Indoor or a few cases above the table, a decorating indoor environment, landscaping people’s lives of works of art and utility. After the Qing Dynasty entered the customs, inheriting the former dynasty and old system, began to use all kinds of screens in the court, the traditional screen, seat screen has also been applied. In some of the most famous Qing paintings, Kangxi, Yongzheng, and Emperor Qianlong were explicitly portrayed using the images of the interlude or the screen. In the middle of the Qing Dynasty, the society entered the stage of peace and prosperity. The court aristocrats advocated the culture, collected the antiques, and the production of Jiajian became common practice. clear