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彼得·布鲁克的戏剧理想可以用“即时戏剧”来概括。即时戏剧极为注重剧场空间,认为所有形式无论是僵化戏剧、神圣戏剧,都只能在剧场空间中、在观演的直面中获得生命或失去生命。因此,剧场空间中,演员须极为重视与之同在的观众,戏剧主题关乎当下,艺术表达须具有直达观众的直接性,从而获得演出时空中的意义丰富性。简言之,即时戏剧无论内容还是形式上,都将评判标准寄托于观众与演员直面的剧场空间,从而给剧场注入永恒的生命力。
The ideal of drama by Peter Brooke can be summed up in “real-time drama.” The real-time theater pays great attention to the theater space and holds that all the forms, whether stereotyped or sacred, can only live or lose their lives in the theater space and in the direct view of the show. Therefore, the theater space, the actor must attach great importance to the audience with the theatrical themes related to the moment, the expression of art must have the direct access to the audience, so as to obtain the meaning of space richness of performance. In short, real-time drama, regardless of its content or form, places the criteria of judgment in the theater space directly facing the audience and the actors so as to infuse the theater with eternal vitality.