张得蒂(中央美术学院雕塑艺术创作研究所): 我们这批五十年代全国美术学院出来的女雕塑家有二、三十人,被称为新中国第一批女雕塑家。何鄂是最年轻的。她就学于西北,但终究是江南姑娘,她那双粗大结实的手,也掩不住她的沉静和灵秀,她是那么贤惠温柔的贤妻良母,但是竟有这么坚韧的内在力量,促使她在艺术上取得了令人瞩目的成就。 作为由封建社会到现代社会艰难巨变时代的一代中国妇女,有着本能的反叛和奋斗的精神。我们女雕塑家这个群体,包括全国东西南北地区,大家互相关心,互相勉励,不怕苦累,这种心态和当年新中国第一批女飞行员、女火车司机等等一样,我们默契于要在与石头、泥巴、金属相伴的雕塑领域里,走出一条属于我们20世纪女性坚韧、自强的艺术道路。 Zhang Dedi (Central Academy of Fine Arts Institute of sculpture and sculpture creation): In the 1950s, the National Academy of Fine Arts came out two or thirty female sculptors and was named the first batch of female sculptors in New China. He E is the youngest. She studied in the northwest, but in the end she was a girl of Jiangnan. Her thick, strong hands could not conceal her quietness and splendidness. She was such a virtuous gentle wife and mother, but she had such an inherent strength of perseverance that she In the art has made remarkable achievements. As a generation of Chinese women from a feudal society to a difficult and drastic change in modern society, they have the spirit of instinct of rebellion and struggle. We women sculptors this group, including the country’s eastern and southern regions, we care about each other, encourage each other, not afraid of suffering, this mentality and then the new China’s first women pilots, female train drivers, etc., we tacit understanding to be with Stone, mud, metal accompanied by the sculpture field, out of a belongs to our twentieth Century women’s tough, self-improvement art.