“艺术”还不够,还要加上“学”且带着“原理”?当你打开这本《艺术学原理》时,可能立时会生出这样的疑问。理解艺术何以成为一种学问,并不是困难的事。当你不满足于仅仅创作或鉴赏艺术,而是渴望进一步追究艺术对于人生的意义及其蕴含的深层奥妙时,艺术学的种子就已在你心中悄然萌芽了。六朝理论家刘勰写道:“山杳水匝,树杂云合。目即往还,心亦吐纳。春日迟迟,秋风飒飒。情往似赠,兴来如答。”(《文心雕龙·物色》)说的是当你面对自然界山川草木景象 “Art ” is not enough, but also add “learning ” and “principle ”? When you open this “principle of art theory”, may immediately give birth to such questions. It is not difficult to understand how art becomes a science. When you are not satisfied with merely creating or appreciating art, but are eager to further investigate the meaning of art for life and its deep mystery, the seeds of art have quietly sprouted in your heart. The Six Dynasties theorist Liu Xun wrote: “Mountain water turns, tree miscellaneous Yunhe. Head is also back, the heart is also spit. Spring is late, the autumn wind rustled. Wen Xin Diao Long · find ”) is that when you face the natural landscapes of vegetation