在明清众多曲谱中,《寒山堂曲谱》有独特的撰谱思路。其罢黜奇炫、崇尚实用的撰谱宗旨,体现了谱主宗元本色的曲学观念。对曲牌的正本清源和流变稽考,梳理出了常用九宫谱系曲牌的使用规律。而在《曲话》中涉及的失律曲文的扶偏救弊,深入讨论了明清曲体韵文“字”、“声”之间的辩证关系。 In many music scores in the Ming and Qing dynasties, “Hanshan Tang Music Score” has a unique idea of ​​composing lines. Its striking striking, advocating practical purpose of the essay, reflects the concept of music master of metaphysics. The origin of the original song Qu Qingyuan and rhetoric, sort out the commonly used rules of the use of Qu Gongpai Qu. And in the “melody” involved in the wrong song to help remedy the drawbacks, in-depth discussion of the Ming and Qing Dynasties song rhyme “word ”, “sound ” dialectical relationship.