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纵观阮乐器的发展,阮在乐队中最初只是处于伴奏地位,随着阮的魅力和潜能被进一步挖掘,很多演奏家开始针对阮的曲目进行移植和创编,阮自此开始有了重奏曲、独奏曲。与此同时,很多作曲家、指挥家看到了阮的发展,也相继创作了许多大型的阮乐作品。目前,阮的爱好者与练习者增多,而阮的练习与教学在一定程度上还处于探索阶段,怎样才能让练习者在相对短的时间内得到真正的提高?作者认为进行阮的练习曲的训练极为重要。文章从对乐谱的全面分析、具体的学习步骤、攻克练习曲中的难点以及情感表现等方面对阮练习曲的训练做了一步的阐述。
Throughout the development of Nguyen musical instruments, Nguyen initially only accompaniment in the band, with the charm and potential of Nguyen was further excavated, many performers began to transplant and creation of Nguyen tracks, Nguyen began with a quartet, Solo. At the same time, many composers and conductors saw the development of Nguyen, and also successively created many large works of Nguyen Nguyen. At present, Nguyen fans and practitioners increased, and Nguyen practice and teaching to a certain extent, still in the exploratory stage, how to make the practitioners in a relatively short period of time to be truly improved? The author believes that Nguyen’s Etudes Training is extremely important. The article elaborates the training of Nguyen Etude from such aspects as comprehensive analysis of music score, concrete learning steps, difficulties in capturing etude and emotional expression.