本文以肯尼斯·雷克斯罗思翻译的杜甫诗《夜宴左氏庄》为例,分析译诗中杜甫形象的转变。其诗中大大削弱了原诗的儒家色彩,着重渲染了杜甫对于隐逸生活的向往,其译本中所展现的杜甫更多的是一个选择在自然山水中消融忘却自己的隐士,而非忧国忧民心系天下的儒家。 This paper takes Du Fu ’s poetry, “Romance of the Left,” as an example, which is translated by Kenneth Rexroth as an example to analyze the transformation of Du Fu’ s image in the translation of poems. His poem greatly weakened the color of the poem of the original poem and emphasized Du Fu’s longing for the seclusion of life. The Du Fu presented in his translation is more of an alternative to forgetting her own hermit in the natural landscape, The people of the world is the Confucian.