我背上了行囊远行.在不知不觉间,我远离家乡到云南已将近六年。我一直在中缅边界一所小小的师范学校教书以维持生计。自问除了画画,再没找到什么可以一劳永逸的方式生活了。高更在《我们从哪里来?我们是谁?我们到那里去?》中表达的疑问常让我陷入由悲观情绪所带来的各种想象中。也许正如人们所认识的那样,这是一个光怪陆离的世界.没有谁可以把日子过得行云流水.而我从事绘画这个行当,逃避了多少生活的艰辛啊。从童年涂鸦直到现在.似乎总觉得在寻找些什么。我们到底为了什么画画?为了让周围的人觉得你有才气?让你有成就感?又或是为了所谓的原始冲动?还是想让人们在以后的日子 I was back on the luggage trip .In unconsciously, I have been away from home to Yunnan for nearly six years. I have been teaching in a small normal school on the Sino-Burmese border in order to earn a living. Ask yourself what you can do once and for all except painting. Gauguin’s question, “Where do we come from? Who are we? Where are we going?” Often leads me into a myriad of imagina- tions brought about by pessimism. Perhaps, as people know, this is a bizarre world, no one can live a smooth life, and I am engaged in the painting business, how much life to avoid the hard ah. Graffiti from childhood until now, always seems to find what to look for. What we paint for what purpose? In order to make the people around you feel that you have talent, make you a sense of accomplishment, or for the so-called primitive impulse, or to let people at a later date