看福建人艺演出的实验版话剧《雷雨》(陈大联导演),感到非常兴奋。曹禺大师的《雷雨》、《日出》、《北京人》、《原野》等作品在中国戏剧史已成为经典,对它的不同的解读和创作,艺术家们一直没有停止过。迄今为止,我认为做得比较成功的有两部作品:一部是几年前王延松导演、天津人艺演出的《原野》;一部就是陈大联导演的这部《雷雨》。实验版《雷雨》之所以得到观众的认可,首先在于创作观念的出新,即导演在诠释经典作品过程中的 I was very excited to see the experimental drama “Thunderstorm” (director Chen Da Lian) performed by Fujian Human Performing Arts. Master Cao Yu’s works such as “Thunderstorm,” “Sunrise,” “Beijingers,” and “Wilderness” have become classic in the history of Chinese drama. Different interpretations and creations of it have never stopped the artist. So far, I think there are two works that have been more successful: one is the “wilderness” directed by Wang Yansong and Tianjin Renaissance a few years ago; and one is the “thunderstorm” directed by Chen Da Lian. The experimental version of “thunderstorm” was recognized by the audience, first of all lies in the creation of a new concept that the director in the process of interpretation of the classic works