书法作为中国文化的重要组成部分,其技法的形成并非简单的文人墨戏和纸上谈兵,而是与历史渊源和文化背景有着深厚内在联系的有机整体。因此,大学书法教学虽然以技法传授为主,但是仍然有诸多无法回避的文化问题需要进行对应讲解:如各种书体形成时期的历史背景:笔法与书法发展历史和社会发展历史之间及书法主体之间是否存在着某种对应关系;如何理解伴随书法历史的“人品决定书品”观念等等问题。书法的本质是什么?是一个无法简单回答的问题。在中国人的思维深处,如何能够从本无艺术需要的语言 As an important part of Chinese culture, calligraphy is not simply a literary study of men and women, but an organic whole with profound internal relations with historical origins and cultural background. Therefore, although the teaching of calligraphy is mainly taught by techniques, there are still many unavoidable cultural issues that need to be explained: such as the historical background of the various forms of calligraphy: between the development history of calligraphy and calligraphy and the history of social development, and the calligraphy Whether there is a certain correspondence between the main body; how to understand the history of calligraphy “the character determines the concept of books ” and so on. What is the essence of calligraphy? Is a question that can not be simply answered. In the depths of Chinese thinking, how can we learn from this non-art language?