本文通过对贝聿铭先生在东方的两个作品分析:日本美秀美术馆(MIHO)和苏州博物馆,从建筑的选址理念、空间秩序、语言和细部等方面的比较,由立意构思、总体布局、空间处理、设计手法,以及符号语言等方面入手,分析其中所折射的东方文化精华。旨在学习设计者以社会环境的深度和广度对待建筑设计,关注建筑的地方风格,挖掘其历史、文化根源。深入体会大师对于东方建筑神韵及东方文化内涵的理解和诠释。 This article analyzes the two works of Mr. Pei in the East: the comparison between MIHO and Suzhou Museum in Japan, from the perspectives of site selection, spatial order, language and detail of the building, Layout, spatial processing, design techniques, and symbolic language, analyzes the essence of oriental culture reflected in it. Designed to learn the designer to the depth and breadth of the social environment of architectural design, architectural focus on the local style, mining its historical and cultural roots. Understand deeply the master ’s comprehension and interpretation of oriental architectural charm and oriental cultural connotation.