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阮籍,字嗣宗,陈留尉氏人,三国时期著名的音乐家、文学家,是“竹林七贤”的精神领袖。阮籍的论著主要有《乐论》《通易论》《大人先生传》等,其音乐思想主要集中于《乐论》之中。《乐论》是一部以音乐美学为题材的哲学专著,其思想观点与儒家传统乐论是一脉相承的,阮籍又将老庄音乐哲学思想融入其中,促进了中国传统音乐美学理论的发展。本文从《乐论》中音乐理论、美学理论出发,并结合魏晋时期
Ruan Ji, the word heir, Chen Weishi people, the Three Kingdoms period famous musicians, writers, is the “seven sages of bamboo” spiritual leader. Ruan Ji’s works mainly include “music theory”, “Tong Yi Theory” and “biography of Mr. adults”. His music thoughts are mainly concentrated in “music theory”. “Music Theory” is a philosophical monograph focusing on music aesthetics. Its ideological point of view is the same as that of Confucian traditional music theory. Ruan Ji incorporates Lao-Zhuang’s philosophy of music into it and promotes the development of Chinese traditional musical aesthetics theory. This article starts from the theory of music and aesthetics in “Music Theory” and combines with the Wei and Jin Dynasties