当代文艺理论和文艺思潮中方兴未艾的“文化热”,促成了一个文学理论与文化理论相互碰撞、相互接纳、相互认同的运动过程。在这个相互运动的过程中,双方都必须各自发挥自己的优势,带着自己的特性进入对方,并影响对方,才不至于被对方所取消。文学理论不会因此而成为另一种形式的文化理论,文化理论也不会因此而徒具虚名,成为文学理论扩大声势的“金字招牌”。在这个前提下的容纳和吸收才是文艺理论不断获得新质的正确途径。一文学是语言的艺术,文学以语言的方式参与世界。各民族的文学作品都是该民族语言的各个字、词、句型、句式等语言元素不同方式的巧妙组合所构成的,语言组合的不可穷尽性决定了文学作品的不可穷尽性。语言的存在是文学最基本的存在,是 The “cultural fever” in the ascendant of contemporary literary theory and ideological trends in literature and art promoted a process of movement in which literary theory and cultural theory collide with each other and accept each other and mutual recognition. In this process of mutual movement, both parties must each exert their own advantages, enter each other with their own characteristics and influence each other so as not to be canceled by each other. Literary theory will not therefore become another form of cultural theory, and cultural theory will not therefore become a “golden signboard” for the expansion of literary theory. The accommodation and absorption under this premise is the correct way for the literary theory to continuously acquire new quality. A literature is the language of art, literature in the way of language to participate in the world. Literary works of all nationalities are formed by ingenious combinations of different ways of language elements such as words, words, sentence patterns and sentence patterns of the national language, and the inexactibility of language combinations determines the inexhaustible nature of literary works. The existence of language is the most basic existence of literature, is