这是一个诗歌选本大于诗歌的时代,这是一个诗歌活动多于诗人的时代。狄更斯《双城记》的开篇早已为各种时代备好头套,更为时下的诗坛勾勒出了脸谱。选本大于诗歌,活动多于诗人,集体的盲目和表象的繁华并不能掩盖艺术自觉与内省的缺失,加之互联网和各种公众号的推波助澜,这难免落进庸俗和膨胀的陷阱,与诗性与诗意南辕北辙。拒绝挤入文学史的焦虑, This is a time when poetry is larger than poetry, a time when poetry activities are more than poets. Dickens “Twins” in mind the opening has long been prepared for a variety of times, and more contemporary poetry outlines Facebook. The anthology is larger than poetry and has more activities than poets. The blinding of collective blindness and appearance does not obscure the lack of artistic consciousness and introspection. Coupled with the internet and various public figures, it is bound to fall into the trap of vulgarity and expansion. Sexual and poetic poles apart. Refused to squeeze into the anxiety of literary history,