人们生活和活动场所,不同民族不同地域的人民在长期生活中因气候环境、民族习惯不同基本形成了各地方特色建筑。江南民居更是由于湿润的气候、优美的山岭、灵动的水,依山沿河而见的民居相互穿插。以黑、白、灰为主色调江南民居造就了一幅幅天然水墨画。人居环境,宜游宜居,可诗可画。当代江南民居各种画法自成一派,不但绘画理念、构图方式也有区别,笔法墨法也有很大变化,水墨画中表现江南民居的技法也林林种种,但每种技法中也往往互相融合互相渗透,取长补短,互相借鉴,只是画家在某个领域做得更加突出,更具有自己的鲜明特征。但无论怎么发展与创新也只是技法上的异同,画家对江南民居的留恋之情一直未变,因此,当代出现了一批具有代表性的江南民居画家,形成了自己鲜明的江南民居画风,具有明显的时代特征。 People live in different places and activities, people of different nationalities in different regions in the long-term life due to climate and ethnic customs of different basic formation of the local characteristics of the building. Jiangnan dwellings are due to humid climate, beautiful mountains, smart water, mountain and river houses and interwoven. In black, white, gray-based color Jiangnan residential created a range of natural ink painting. Living environment, should be livable, poems can be drawn. Contemporary Jiangnan dwellings of all kinds of self-contained school, not only the concept of painting, composition of the way there are differences, the ink method also has great changes in pen and ink paintings in the performance of southern folk techniques are also Linlin variety, but each technique are often integrated with each other Infiltration, learn from each other, learn from each other, but the painter in a field to do more prominent, but also has its own distinct characteristics. However, no matter how the development and innovation are only the similarities and differences in techniques, the painter’s love for Jiangnan dwelling house has not changed. Therefore, a number of representative Jiangnan dwelling painters emerged in the contemporary era, Has obvious characteristics of the times.