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中国古代诗人无不认同诗歌与音乐的同源关系,并在其诗歌创作中有意识地彰显作品的音乐性,从《诗经》《楚辞》、汉赋到唐诗、宋词、元曲,都莫不如此。中国现代诗歌同样注重音乐性,不过其表现形式与古典诗歌有所不同罢了。1920年前期新月社成立,新月社诗人(以徐志摩、闻一多为代表)致力于现代诗歌的格律研究,对现代诗歌如何形成新的格律的探讨影响深远。本文将对《高中语文》第1册(人民教育出版社2007年版)第1单元“现
Ancient Chinese poets all agree on the homologous relationship between poetry and music, and consciously display the musicality of their works in their poetry creation. From ”Book of Songs“, ”Chu Ci“ and ”Han Dynasty“ to ”Tang Poetry“, ”Song Ci“ and ”Yuan Dynasty“. Chinese modern poetry also emphasizes musicality, but its manifestations differ from those of classical poetry. The establishment of the Crescent Moon Society in the early 1920s, the poet of the New Moon (represented by Xu Zhimo and Wen Yiduo) devoted himself to the study of the law of modern poetry and the far-reaching influence on the discussion of how modern poetry formed a new law. This article will ”High School Language" Volume 1 (People’s Education Press 2007 Edition) Unit 1