彼得·谢弗是二战后英国著名剧作家,在他的剧本《上帝的宠儿》中,对于音乐元素尤其是莫扎特音乐的运用,已达到了出神入化的程度。从《上帝的宠儿》作品本身看,作曲家巧妙运用音乐,来推动整体事件与戏剧的冲突向前发展。从而以音乐元素,来揭示人物性格、心理,表现和强化主题;由此,我们看到:在这部剧中,是以音乐创造激动人心的戏剧性场面,阐示了戏剧内涵诸多种发展的可能性。 Peter Schafer was a famous British playwright after World War II. In his play “The Beloved of God,” the use of musical elements, especially Mozart’s music, has reached a superb level. Judging from the work of God’s Beloved, the composer cleverly uses music to promote the conflict between the whole incident and the drama going forward. Thus revealing the characters’ personality, psychology, performance and fortification with musical elements. From this we can see that in this drama, we create exciting and dramatic scenes with music, and expound the possibility of many kinds of development of drama connotation Sex.