论文部分内容阅读
随着经济和审美的提高,对于器物的情感,人们更多地从实用价值移情于观念价值。设计师在从事设计工作时,设计的责任被更多的消费因素提起,因为消费者进行消费时对器物注入了更多文化内涵的要求,设计慢慢成为了一种情感的表现形式。本文试图从怀久与精神考古设计概念的缘起以及如何在物品的细节体现这个概念的角度来探讨设计的怀久与精神考古,希冀设计更多地注重情感需求。
With the economic and aesthetic improvement, the emotion of utensils is shifted from practical value to conceptual value. Designers engaged in design work, the design of the responsibility by more consumer factors, because consumers consume more objects into the cultural content of the request, the design has slowly become an expression of emotion. This article attempts to explore the design of the long-term and spiritual archeology from the perspective of the concept of long-term and spiritual archeology design and how to embody the concept in the details of the article, in the hope that the design will pay more attention to the emotional needs.