当我们看惯出于各种商业目的的摄影作品时,总有些人对“创作”两个字保持了相当的热情,毫无疑问,房翔就是一个这样的摄影人。看过他每一年的西部创作,很多属于自我风格的标签始终清晰可见。这一次的照片,在整体上并没有把着眼点放在表现西藏独特的风景面貌或者地域民风上,而是用某种超现实的思路表达了极具个人化的感受,正像他自己所说,照片的氛围就是我当时看到那些独特风景的心情。其实不论什么样的表达方式,都会有各种不同的见解和标准,但“心之所至”恐怕是更应该被我们所欣赏的吧。 When we are used to photography for a variety of commercial purposes, there are always some people who have enjoyed considerable enthusiasm for the word “creation.” There is no doubt that Fang Xiang is one such photographer. After reading his Western creation every year, many of the labels belonging to his own style are always clearly visible. This time, on the whole, it did not focus on representing Tibet’s unique landscape or geographical customs, but expressed a very personal feeling with some surrealistic thinking. As he himself said , The atmosphere of the photo is the mood I was able to see at that time. In fact, no matter what kind of expression, there will be a variety of different opinions and standards, but “the heart of the” I am afraid it should be more we appreciate it.