要对格非的“江南三部曲”作出全面而透彻的解说,当然并不是一件容易的事情:一方面,格非历时20年构思、写作,时间跨度上的悠长即令人很难有把握全景的自信;另一方面,格非身具作家与学者双重身份,其写作既有作家灵感飞扬因而难以言说的部分,也有学者理性沉稳因而具有学理“自觉”的部分,这无疑进一步增加了阐释者的工作难度。当然,本文的目的并不在此,当然,它也超出了本 To make a comprehensive and thorough explanation of Gefei’s Jiangnan Trilogy is certainly not an easy task: on the one hand, Gefei’s conception and writing over the past 20 years have made it very difficult for us to have a long time span On the other hand, Geoff has the dual identities of both writers and scholars. His writing is both hard-to-talk because of the inspiration of writers, and there is no doubt that the scholar is rational and calm and thus has a part to learn. Further increase the difficulty of interpretation of the work. Of course, the purpose of this article is not here, of course, it is also beyond this