中国的书法艺术产生于商代中后期的甲骨文,经过秦汉时期的发展,三国两晋南北朝走向成熟,唐朝进入鼎盛时期,自宋朝开始书法进入个性化时代。清代是中国书法史的一个重要转折时期,书法环境的改变以及乾嘉学派和碑学的兴起,大量书法家开始钻研碑学。蒲华不随波逐流,在坚持帖学的同时,融碑入帖,并将中国画的空间结构引入书法,形成自己独特的书法艺术风格,成为晚清最具代表性的书家之一。本文试从蒲华所处的社会历史环境和独特人格解析其书法艺术风格形成的原因及特点。 Chinese calligraphy came into being during the middle and late Shang dynasties. After the development of the Qin and the Han dynasties, the Three Kingdoms, the Southern and Northern Dynasties became mature, and the Tang Dynasty entered its heyday. From the Song dynasty, calligraphy went into the era of individuation. Qing Dynasty is an important turning point in the history of Chinese calligraphy, the calligraphy environment changes and the rise of Qianjia School and Belem, a large number of calligraphers began to study Beilei. Puhua does not follow the crowd. While insisting on studying at the same time, it is a monument to calligraphy, and introduces the space structure of Chinese painting into calligraphy to form its own unique style of calligraphy and art and become one of the most representative booksellers in the late Qing Dynasty. This paper attempts to analyze the reasons and characteristics of the formation of calligraphic art style from the social and historical environment and unique personality of Puhua.