论文部分内容阅读
三月上海前后有两场“表演”开幕。上海歌德学院由张冰策划的9平方米美术馆已进入第二个年头,探讨的主题是“消费时代的情感”。本次展出李燎的“夏家英”项目在开展前已经不断在媒体和微信平台上预热——大家近期对李燎爆发出的关注是因为他的《消费》入选新美术馆三年展。开幕当晚,歌德学院人潮拥挤,令人回想起了去年同期未知博物馆的戏剧《社会冥想——四川好人》在此上演,我提前半个小时入场才好不容易占了一张椅子,坐着看完整场平庸的表演。而这次的表演不设座位,“主角”李燎一身黑色的朴素着装出场,以导览的形式开始了整
There were two “performances” around Shanghai in March. The 9-square-meter art museum planned by Zhang Bing of the Shanghai Goethe-Institut has entered its second year. The theme of the discussion is “the emotion of the consumer era.” This exhibition shows that Li Liao’s Xia Jialin project has been continuously preheated on the media and WeChat platform before its launch. All of us recently raised the concern for Li Liao because his “consumption” was chosen as the new museum for three years exhibition. On the evening of the opening night, crowds of Goethe-Institut people reminded me of the drama “Social Meditation - Sichuan Good People”, which was performed at an unknown museum in the same period of last year. It was a hard time for me to enter a chair half an hour before sitting in a chair Complete mediocre performance. And this show does not set a seat, “protagonist ” Li Liao a plain black dress appearance, to guide the form of the whole began