一在习惯于以自然时序来对作家进行群体命名的当代批评界,七十年代出生的戴来被归入“新生代”自是理所当然。尽管对于这种明显偷懒的做法我一向不以为然,但要深入地解读《亮了一下》,就有必要把它放到中国现当代文学中予以定位。这样,“新生代”就不失为一个可以一用的概念— In contemporary critics accustomed to naming writers in natural time series, the birth of the Dai in the 1970s was categorized as “new generation” for granted. Although I have always been displeased with this apparently lazy practice, it is necessary to place it in modern and contemporary Chinese literature for an in-depth explanation of what it takes to “light up.” In this way, “new generation” can be regarded as a concept that can be used one by one -