旧社会,“教会徒弟,饿死师父”,是尽人皆知的“常理”,广闻泛见的“惯事”。无数悲痛教训,迫使艺人们不得不思想保守,“艺不传人”。京剧名须生余叔岩,早年,对“伶王”谭鑫培的艺术甚为倾慕。谭不但音域宽宏“声震屋瓦”,而且音色幽雅“委婉动听”。当时剧坛曾流传两句佳话“有匾皆书垿(书法家王垿),无腔不学谭”,由此足见一斑。余对谭虽十分钦羡倾倒,但又不得其门而入。他多次央求要拜谭为师,谭都拒而不收。理由是:叔岩已名噪南北,若再得谭派真谛,势必如虎添翼,那时自己倒有可能落寞于人。余叔岩无奈,只得购来百代公司出品的谭鑫培唱片,自己 The old society, “the church apprentice, starved Master,” is a well-known “common sense”, widely heard of the “usual practice.” Numerous grief lessons, forcing artists have had conservative thinking, “Art does not preach.” Peking Opera name Yu students rock, early years, the “King of Lions” Tan Xinpei art is very admiration. Tan is not only generous liberal “Silencing House tile,” and tone elegant “euphemism pleasant.” At that time, there were two stories circulating in the theater: "There are plaques in both books and calligraphy (calligrapher Wang Kui); I am quite admired Tan dumping, but can not get in the door. Many times he begged to worship Tan as a teacher, Tan refused to accept it. The reason is: Tertiary has been famous North and South, Tan Tan then get the true meaning, is bound to be even more powerful, when they may fall lonely people. Yu Shu-rock helplessness, had to buy EMI’s Tan Xinpei produced albums, their own