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老一辈画家中,由青年时画油画到老年时改画中国画的不在少数,其中的个由值得研究。本期名家许信容在年富力强时,就由油画转向了中国画,更值得注意。他的山水画无论在手法还是在立意上,都有自己的特点,或许是摸清了油画路数的缘故,反过来使他对中国画更加痴迷。刘国松的名字并不陌生,刊登对他艺术探索进程的分析会使读者更加了解这位台湾艺术家,读者对赵澄襄可能陌生一些,但她对艺术的潜心探索是可贵的,作品所透出的清新、明快的品味令人感到爽意。陈绶祥先生任导师的中国艺术研究院第二届中国画名家研修班已结业,但学员的研修方兴未艾,刊登的作品只是学员初结的硕果。 第6届中国艺术节是本年度中国艺坛的大事,而在艺术节增加系列美术展览则是大事中的新事,江苏省作为承办单位,其开拓精神值得钦佩。
Among the older generation of painters, there are not only few Chinese paintings that have been painted from the youth to the aged but are worth studying. In this issue, Xu Xinrong turned his attention to Chinese painting from oil painting when he was young and prosperous. His landscape painting has its own characteristics in terms of manners and conceptions, perhaps because he has made clear the number of paintings and, in turn, made him more obsessed with Chinese painting. Liu Guosong’s name is no stranger to his published art analysis of the process of exploration will enable readers to better understand the Taiwanese artist, the reader may be unfamiliar to Zhao Chengxiang some, but her painstaking exploration of art is valuable, the work revealed a fresh , Bright taste is refreshing. Chen Shuxiang served as a tutor of the China Academy of Art The second Chinese painting masters seminar has been completed, but trainee training is in the ascendant, published works only students fruitful. The 6th China Arts Festival is a major event in the Chinese art scene this year. Adding a series of art exhibitions to the festival is a new event in the event. As a contractor, Jiangsu Province is admirable for its pioneering spirit.