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传世冯子振害迹殊少,其翰墨之作表现在两个方面,即题跋文字和文、款、印俱全的所谓完整意义上的书法作品。此中,题跋文字占了冯氏书迹的绝大部分。本文旨在通过与冯子振相关联的历史背景,并结合书法创作的一般规律,辩证地认识冯氏书翰的创作形态以及确切时间。
There are few traces of Feng Zhen in the world. His works are shown in two aspects, that is, the so-called calligraphic works in the so-called complete meaning of writing, writing, and printing. Among them, the inscriptions account for the vast majority of Feng’s handwriting. The purpose of this paper is to dialectically understand the creation style and exact time of Feng’s book through the historical background associated with Feng Zizhen and the general law of calligraphy.