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龙门石窟的开凿历经北魏、东西魏、北周、北齐、隋、唐共六个朝代。在两千一百多个窟龛中,现存佛像十万余尊,题记碑刻三千六百余品,佛塔四十余座。龙门石窟造像艺术语言的形成同原有造像的艺术形式、佛教思想的演变、社会文化的融合、历史的变迁以及美学原则的渗透都有着密切的关系。本文以龙门石窟造像为载体,分析历史变迁对龙门石窟造像艺术产生的深远影响。
Longmen Grottoes through the Northern Wei Dynasty, Wei Wei, North Zhou, Northern Qi, Sui, Tang a total of six dynasties. Among the more than 1,200 cave shrines, the existing Buddha statues numbered over 100,000, inscribed 3,600 inscriptions on inscriptions and over 40 pagodas. The formation of Longmen Grottoes figurative art language is closely related to the original art form, the evolution of Buddhist thought, the integration of social culture, the historical changes and the penetration of aesthetic principles. Taking Longmen Grottoes as the carrier, this article analyzes the profound influence of historical changes on the art of Longmen Grottoes.