论文部分内容阅读
作为传统花鸟画的重要题材,草虫一直为历代画家所钟爱。从商周青铜器上装饰性的蝉纹开始,到东吴曹不兴误落墨画苍蝇引孙权以手弹之的传说;从宋代院体绘画在“格物致知”观念影响下的写实入微的创作,再到明清的大写意花鸟画,都不难寻找到草虫跳跃欢鸣的身影。齐白石笔下的草虫无疑超越了所有这些经典图像,和他的虾、蟹一样给人以深刻难忘的印象。齐白石一生画过的草虫种类超过了以往的所有画家①,他笔下的草虫或精致入
As an important subject of traditional flower and bird painting, insects and insects have been loved by ancient painters. From the ornamental cicadas on the bronze ware of the Shang and Zhou dynasties to the unpredictable changes in the painting and calligraphy of the fox in Dongwu, Creation, then to the Ming and Qing dynasties flowers and birds painting, are not hard to find the grasshopper jumping joyous figure. Qi Baishi’s worms undoubtedly surpassed all these classic images, and his shrimp, crabs, like to give a memorable impression. Qi Baishi’s life has been painted over more than the past, all the painters ①, his worm or refined into the