搞美术理论的陈传席曾说过画若没有古意,格调便不高。心里想着那些千姿百态的美丽画面,搜寻着“古意”与“格调”的高低。美术的要义是要通过画面将“美”传达给欣赏者。而客观美对于中国画来说只是一个方面,它还要求在客观之上有精神的追求。也就是说创作者在创作中不仅要表现客观现实的美,还要讲求中国文化中那种虚灵、澄澈的诗意的审美理想,更高一级的话,还要有哲学的意味,体现天人合一的宇宙观。一 Chen Chuanxi, who is engaged in fine arts theory, once said that if there is no ancient meaning, the style will not be high. I was thinking of those beautiful pictures of different poses and with different meanings, searching for “ancient meaning” and “style” level. The essence of art is to convey “beauty” to appreciators through pictures. Objective beauty is only one aspect of Chinese painting. It also requires a spiritual pursuit on the objective. In other words, the creator should not only display the beauty of objective reality in his creation, but also pay attention to the poetic aesthetic ideal of the virtual spirit and the clarity in Chinese culture. If higher level, he should also have the philosophical meaning and embodied the heavenly man One of the universe concept. one