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中国美术史上第一篇山水画论文,是南朝刘宋时代宗炳的《画山水序》,以往的研究者在阐释该论文的成就(乃至整个南朝时代的山水画论文水平)的时候,都着眼于晋代玄学的影响,此风在上世纪七、八十年代始于海外学者,而后被及海内。忽略了对宗炳本人思想和当时佛学“般若”学思想之间关系的研究,宗炳毕竟是一位对佛教颇有研究的信仰者,本文即从《金刚经》主旨思想入手,探讨宗炳山水画思想的来源,以弥补以往研究的疏漏之处。
The first landscape painting essay in the history of Chinese art was the “painting landscape” by Zong Bing in the Southern Song Dynasty. The previous researchers, focusing on the achievements of the essay (and even the landscape essay in the Southern Dynasties period) On behalf of metaphysics, the wind started in the 1970s and 1980s as an overseas scholar and was later used domestically. Ignoring the research on the relationship between Zong Bing’s own thought and the then Buddhism’s “Prajna” theory, Zong Bing is, after all, a researcher who studies Buddhism. This article begins with the main idea of “Diamond Sutra” The source of landscape painting ideas to make up for the omissions of previous studies.