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高晓声作为20世纪80年代的著名作家,其反映农民苦难的成就是引人注目的。但是,随着时间的推移,他却渐渐脱离了现实,他的农民形象只停留在了80年代之前,而评论界和文学史对其评价也同样滞后。究其原因,执着于脱离现实的、静止的国民性批判是主要原因。高晓声创作及评论界的刻舟求剑状态则昭示了重读作品的重要性。同时,对现代性大背景下的国民性话语的再思考也是一个相当紧迫的问题。
Gao Xiaosheng, as a famous writer in the 1980s, made remarkable achievements in reflecting the misery of peasants. However, with the passage of time, he gradually graduated from reality, his peasant image only stayed in the 1980s, and critics and literary history also lag behind in his evaluation. The reason, persistent in the reality, the static criticism of the national nature is the main reason. Gao Xiaosheng creation and critique of the engraved state of the sword indicates the importance of re-reading the work. At the same time, rethinking the national discourse under the background of modernity is also a pressing issue.