十年前,日本著名时装设计大师小筱顺子在北京举办了名为“宇宙”的时装表演.这场表演给当时尚未与国际接轨而处于“闭塞”状态的我国时装界带来了令人瞠目结舌的震撼.然而,即使在我国时装设计水平迅速提高的今天,重温这场时装表演,我们仍能感受到整台表演的创新与超前意识.本文从另一个角度探讨一个问题:即一件成功的设计作品或一台成功的时装表演应包含哪些因素?我们的设计与世界大师的水平相比,差距在哪里?首先,设计者在构思其设计作品时,不外乎遵循两种思路,其一是先确定作品的主题,而后在设计过程中形式、色彩、材料的选用与搭配都要服从主题的需要并为主题服务.这里我们不妨称其为“主题先于形式”的模式.在这一模式中,一切以主题为中心,不仅形式、 Ten years ago, Japan’s famous fashion designer Masatoshi Yoshio Shoko held a fashion show called “The Universe” in Beijing, which brought surprising results to the Chinese fashion industry that was not in line with international standards at that time Stunned.However, even in China’s rapid rise in fashion design today, revisit the fashion show, we can still feel the whole show’s innovation and advance awareness.This article from another perspective to explore a problem: that a What are the factors that should be involved in a successful design project or a successful fashion show? Where are the gaps between our design and those of the world’s masters? First of all, when designers conceptualize their designs, they follow no more than two ideas, One is to first determine the theme of the work, and then in the design process, the form, color, material selection and matching subject to the needs of the theme and serve the theme here we may wish to call it the “theme first in the form of” model. In this model, everything is theme-centered, not only in form,