作品风格追求古、老、禅的大写意画风。总体上对传统的回归画境渐趋恬静,耕种沉实,空灵意境。追求内敛又不失灵动的笔力运用,以墨当色,强调墨韵的通达变化状物,追求以苍润的笔墨关系营造静虚的意韵,从表面上看是一种笔墨审美意义上的发展,从深层意义上去分析,其作品有着强烈的象征性。因 Style of the pursuit of ancient, old, Zen’s freehand style. In general, the traditional return to the painting environment gradually quiet, cultivation of solid, ethereal mood. The pursuit of introverted but not dexterous use of the pen to ink, color ink stressed the accessible changes in the pursuit of Cangruan pen and ink relations to create the meaning of the static imaginary, on the surface is a kind of aesthetic sense of the pen and ink Development, from a deep sense of analysis, the work has a strong symbolic. because