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和任何人类戏剧样式一样,中国戏曲源自人类初始文化的宗教仪式中。不同的是,它没有像在欧洲和印度历史上所发生的那样形成文化断裂。古希腊悲剧和喜剧、印度梵剧在发出耀目光芒之后,都中断了,中华戏曲却一直生生不息地发展演变至今。尤其是在中国古代史的后期,戏曲活动成为民众社会生活的重要构成方式。在戏曲史上,曾经有“家家‘收拾起’,户户‘不提防’”的美谈,说的是昆剧最兴旺的时期,古代著名戏剧家李玉《千种禄》中的“收拾起大好河山一担装, 历历皆空相”和洪升《长生殿》中的“不提防答卷年遭乱离”等名剧曲目广为传唱的情形。
Like any human drama style, Chinese opera originated from religious ceremonies of human initial culture. The difference is that it does not form a cultural break as it did in the history of Europe and India. Ancient Greek tragedies and comedies, the Indian Van Gogh in the glittering light, are interrupted, the Chinese drama has been the evolution of evolution has evolved so far. Especially in the later period of ancient Chinese history, opera activities have become an important component of the social life of the people. In the history of the opera, there have been “every family” to gather up, “every household not to beware of” the talk, that is the most prosperous period of Kunqu Opera, the ancient famous playwright Li Yu “Thousands of Paul” in the “pick up Great rivers and mountains one dress, the history is empty phase ”and Hongsheng“ Palace of Eternal Youth ”in the“ Do not mention the year was disturbed ”and other famous operas widely sung situation.