20世纪40年代,战火纷飞的抗战文坛,一株静美的莲花飘然而出,其清新淡雅令人惊喜莫名。这,就是老作家孙犁创作的小说《荷花淀》(广东版《语文》第三册)。《荷花淀》之美,美在独特的审美情趣,美在“以小见大”的创作视角。作家拿起笔,写战争,远离了刀光剑影,隐去了鼓角争鸣,消解了激烈残酷的战争特质,消解了血与火的冲 In the 1940s, with the war-torn anti-war literary scene, a lotus of Jingmei floated out of the air. Its fresh and elegant appearance was surprising. This is the novel Lotus Lotus created by the old writer Sun Li (Guangdong version of the “Language” volume 3). The beauty of “Lianhuadian” and the aesthetic beauty of the United States are unique. The writer took up a pen, wrote a war, and stayed away from the swords and swords. He evaded the drum horns and dispelled the fierce and cruel war traits, and eliminated the blood and fire.