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众所周知,工笔花鸟画艺术至宋代已相当成熟,到上世纪末可以说风格多样,异彩纷呈。然而我们仔细分析便不难发现,在众多的作品中,概念化倾向十分突出,比如写实性语言泛滥。这一定程度上反映了相当一部分作者想象力、创造力贫弱,缺乏真情和对艺术深层的理解。
As we all know, art of calligraphy and painting flowers and birds to the Song Dynasty has been quite mature, to the end of the last century can be said that the style is diverse and colorful. However, if we carefully analyze it, we can easily find out that in many works, the conceptualization tendency is very prominent, such as the proliferation of realistic language. To a certain extent, this reflects a considerable part of the author’s imagination, weakness of creativity, lack of truth and deep understanding of art.