余华的小说《一九八六》塑造了“他”、“母亲”、“交通警”等典型形象,揭示了“文革”对个体人性的扭曲和变异。人是是历史的参与实践者,反过来,他也会或主动或被动地接受社会历史的熏陶浸染,从而在其内、外在特征上深深地打上岁月经过的印痕。岁月的风霜对人所造成的外在刻蚀往往一目了然,可是那些内在的影响却是润物细无声,让人在无声无息中自觉不自觉地得到某种改变。如果说外在的影响只是身体器官的变形和增损的话,而内在的改变则是一 Yu Hua’s novel “1986” shaped the typical images such as “he”, “mother” and “traffic police”, revealing the distortion and variation of individual humanity in the “Cultural Revolution”. He is a participatory practitioner of history. On the contrary, he is also influenced by social history either actively or passively, impressing on his internal and external features deeply the marks of years. The years of the wind and frost caused by the external etching is often a glance, but those inherent effects are moisten things silently, people quietly consciously or unconsciously get some kind of change. If the external influence is only the deformation and increase of body organs, then the internal change is one