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新世纪以来,中国电影中的“文革”叙事日益呈现出别具一格的艺术面貌。个体情感取代革命伦理成为影像表达的主体;日常生活的重建为人性复归开拓了审美空间;成长视角的更新则捕捉到作为生存主体的“人”的生命困惑。
Since the beginning of the new century, the “Cultural Revolution” narrative in Chinese movies has been showing an increasingly unique artistic outlook. Individual emotions replaced revolutionary ethics as the main body of image expression. The reconstruction of daily life opened up the aesthetic space for the return of human nature. The renewal of growth perspective captured the life confusion of “people ” as the subject of existence.