翻阅李泽厚先生的《美学三书·美的历程》,发现李先生对“毋宁”这个词情有独钟,特别爱用。请看: 但是,汉代艺术中的神仙观念又毕竟不同于远古图腾,也区别于青铜饕餮,它们不再具有在现实中的威吓权势,毋宁带着更浓厚的主观愿望的色彩。即是说,这个神仙世界已不是原始艺术中那种具有现实作用的力量,毋宁只具有想象意 After reading Mr. Li Zehou’s “Three Courses of Aesthetics and the History of Beauty,” he discovered that Mr. Li has a special liking for the word “Suining,” and he particularly loves to use it. See: But the concept of immortality in the art of the Han Dynasty is different from ancient totems and bronze gongs. They no longer have the power to intimidate in reality, but rather have a deeper sense of subjective desire. In other words, this fairy world is no longer a kind of real power in primitive art.