本文从比较文学文体学入手,发掘波斯“鲁拜”和中国“绝句”以及“柔巴依”之间曲折的历史谱系。现代中国第一批翻译“鲁拜”的诗人恰好是白话新诗的奠基人,“鲁拜”体的翻译由此呈现出中国白话新诗格律化诉求的潜在内因和动力机制;当“鲁拜”的当代汉语翻译越来越趋于格律化时,汉语“柔巴依”创作却日趋自由化。与“鲁拜”翻译的百舸争流与重溯中亚文化渊源不同,新疆“柔巴依”的当代创作一直体现着明显的时代症候。 This article starts from the comparative literature stylistics and explores the historical pedigree of twists and turns between Persian “Rubay ” and China “Quatrains ” and “Rouba Yi ”. The poet of the first batch of modern Chinese translation “Rubay ” is exactly the founder of new vernacular poetry. The translation of “Rubay ” body shows the potential internal cause and motivation mechanism of the Chinese vernacular novel As the contemporary Chinese translation of “Rubai” tends to be more and more regularized, the creation of the Chinese language “Wubi” has been increasingly liberalized. Different from the “Bai Bai” and “tracing back to the origins of Central Asia” in the translation of “Rubai ”, the contemporary creation in Xinjiang “Rouba Yi ” has always manifested obvious symptom of the times.