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本文是对田园诗人的文化心理的分析。在思想意趣上,田园诗人是一群隐者,失意是他们的主要心态,自我放逐是他们归隐的方式。在这个意义上,田园诗与隐逸文化联系起来。耕耘自食是田园诗人不同于任何理想者的主要特色。他们或用躬耕垄亩的行为去实践,或则多是做精神的体验,他们是田园最会意的欣赏者。田园诗人真正追求的不是隐居避世,不是耕种劳作,而是精神的快乐和自适。在理想之光照耀下,田园超越了现实的意义,成为充满欢欣,愉悦的精神憩园。
This article analyzes the cultural psychology of pastoral poets. In ideological interest, idols are a group of hermits, frustration is their main mentality, self-exile is their way of return. In this sense, pastoral poetry is associated with seclusion culture. Plowing is one of the main characteristics that idols differ from any idealist. They practice the practice of bowing and cultivating acres, or they are more experienced in spirit. They are the most appreciative admirers of pastoralism. The true pursuit of idyll is not seclusion, not farming, but the spirit of happiness and self-adjustment. In the light of the ideal, the pastoral beyond the meaning of reality, become full of joy, pleasure spirit garden.