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阎连科是一位多产的作家,他的作品往往以厚重、深沉为基调,带有明显的荒诞色彩。《受活》借助正文和絮言的巧妙结合,通过受活人“入社、退社”经历以及茅枝婆、柳鹰雀两位主人公的命运变迁,从宏观历史叙事和个体生命际遇着眼,具象揭示出生命的本源意义及其在当下语境所面临的困境,对传统文化精神与当下“发展”所面临的文化困境进行了历史性推演,并以此激活并释放了乡村中国生活中固有的文化基因,从而也意在唤醒以主流社会自居的“圆全人”世界渐趋迷失的本性。作者有意把《受活》作为他艺术上的新起点,试图以一种新的艺术表现形式去讲述故事,关注人生,在叙事手法、叙事语言和叙事结构等方面进行了深入探索,以期更好地反映当代中国丰富、怪诞、复杂的现实,使小说的话语空间变得更为开阔,表现出丰富的想象力和对生活的深度感知能力。
Yan Lianke is a prolific writer, his works are often thick, deep tone, with a clear absurd color. With the ingenious combination of the text and the slogan, “Living by Living”, through the experiences of the living people, “joining the community, retirement” and the fate of the two protagonists, Mao Zhi Po and Liu Yuetai, from the macro historical narrative and individual life encounter, The image reveals the origin of life and the dilemma it faces in the current context. It makes a historical deduction of the traditional cultural spirit and the current cultural predicament faced by “Development ”, and thus activates and releases the rural Chinese life In the inherent cultural genes, which is also intended to awaken the self-centered mainstream society “round the whole world ” the increasingly lost nature of the world. The author intends to use “living” as a new starting point in his art, trying to tell stories and pay attention to his life in a new form of artistic expression, so as to make further exploration in narrative techniques, narrative language and narrative structure, so as to be better It reflects the rich, absurd and complex reality of contemporary China, making the space for the novel more open, displaying rich imagination and deep perception of life.