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本文从歌诗传唱的角度对元白的新乐府诗创作进行重新审视,从而揭示了元白新乐府创作的真正动机。指出元白的新乐府创作是对盛唐以来朝廷音乐反思的结果,这一创作固然是要实现其“补察时政”的参政目的,但他们所采取的形式也有很强的针对性,即意在以这种新的歌诗取代朝廷的大雅颂声和乐府艳歌,元白作新乐府就是作新歌诗就在于很好地解决了乐府诗创作上的复与变的矛盾。
This essay reexamines the creation of the new Yuefu poems of Yuanbai from the angle of song singing, which reveals the true motivation of Yuanbai new Yuefu creation. It points out that Yuan Bai’s creation of the new Yuefu is the result of the introspection of the court music since the Tang Dynasty. Although this creation is intended to achieve its purpose of participating in politics, the forms adopted by them are also highly targeted. In other words, it is intended to replace the imperial courtesy of the court and Yuefu glamorous songs with this new song, which is a new song for the new song, which is a good solution to the contradiction between the complex and the change in the creation of Yuefu poetry.